New Architectural Images

February 04, 2015

Got some great light for shooting two buildings for LSI Architects this week. This is Crome Court at UEA:

Crome Court, UEA Norwich for LSI ArchitectsCrome Court, UEA Norwich for LSI Architects

This is UTC Norfolk:

UTC Norfolk for LSI ArchitectsUTC Norfolk for LSI Architects


Latest Images January 2015

January 16, 2015

Recent shoots have included: London, Perthshire in Scotland, many around Manchester and the Peak District, Thetford Forest and Waxham in Norfolk. 

Thetford Forest. Phase One IQ260, Cambo WR-S 1250, Rodenstock Digaron 28 Lens.

Thetford Forest. Phase One IQ260, Mamiya DF+ Camera, 55mm Lens.

Cheapside, London - testing out the Sony A7R on a walk through the City of London. Results? Pretty good I think. Certainly my shoulders thanked me for the light weight of the system!

Blackstone Edge Moor, Peak District - Zero degrees C and got this in between the snow showers! Phase One IQ260, Cambo WR-S 1250, Rodenstock Digaron 28 Lens, doubled ND grads. 
Birks of Aberfeldy, Perthshire, Scotland. Stunning place - and stunning weather! This dell, with the Moness Burn running through it, was as magical a place as any in Britain. Lord of the Rings territory! Sony A7R Panorama - 15 shots stitched (crop from full image).

Waxham, Norfolk - Beautiful end to a beautiful afternoon, just after Christmas 2014. Some of the seals from nearby Horsey were on the beach with us. Sony A7R. 


At The Digital Coalface

November 19, 2014

Three months of processing and we have some interesting new aspects to the image collections. It's very satisfying to finally have images even from mid-2012 finally available such as these studio shots of fruit and veg:

Strawberries

And these studio shots of flowers:
V8FL12  Red GerberaV8FL12 Red Gerbera

I'd added many new panoramas of Blackpool, Lancashire, Pembrokeshire and Suffolk:
P3S32  South Pier, Blackpool, Lancashire, UKP3S32 South Pier, Blackpool, Lancashire, UK Lots of new Details of Nature
Moness Burn, Birks of Aberfeldy, Perthshire, Scotland

 


Quick Update September 2014

November 19, 2014

Part of the reason I started a career in photography because I was spending too much time at a computer. Alas, I find myself in exactly the same position as I started - a single 24 hours of shooting can lead to about 2 weeks image processing. Here are some of the results from my recent tortuous ordeals at the digital coalface. Some of the shoots are recent (North West England, Crete, Wildflowers), some earlier in 2014 (Wales), and some from late last year (North West England again). Enjoy!

 

Click on this photo to view latest images:
 

V8L19  Dawn, Mam Tor Summit, Peak District, Derbyshire, UKV8L19 Dawn, Mam Tor Summit, Peak District, Derbyshire, UK

 

And click on this photo to view latest panoramics:

P3L50  Surprise View, Peak District, Derbyshire, UKP3L50 Surprise View, Peak District, Derbyshire, UK

 


About Time!

May 13, 2014

OK, so, 10 months between blog posts is lax even by my shoddy standards, but I do have some excuses! First, we've been busier than we've ever been, installing record numbers of artworks, shooting a very large number of new images, upgrading and bedding in new camera equipment, and altogether taking things to another level.

A few new shoots first of all - these are the ones uploaded so far: Wayland Wood, Alderfen Broad, Bretts Wood, all for Norfolk Wildlife Trust.
 

V8W9  Bluebells, NWT Wayland Wood, Norfolk, UKV8W9 Bluebells, NWT Wayland Wood, Norfolk, UK

And what of the installations? Well, here's the one that has taken most of our time: 300 artworks installed in UHSM Wythenshawe Hospital, Manchester. As part of making wards more accessible and navigable for the increasing numbers of dementia patients, UHSM commissioned us to put artworks in all 28 wards of one of the North West's largest hospitals. Many new local city and nature images were required - something of a challenge in Winter, with just 1 month to plan and shoot! Many spontaneous visits to Manchester and environs were necessary, no small matter when it's a 250 mile drive each way.

Each ward has a selection of nature images, local nature images and local city images. A month was spent photographing and processing images from around Manchester. Then another month selecting images and artworking so they can be made into our PhotoPanel, PhotoWall, PhotoWindow and PhotoGlassWorks products. Finally, we spent another month - the whole of March - on site installing all 300 pieces - which included driving 700 miles per week and a lot of nights in hotels.

The responses to the work were overwhelmingly positive. The words 'calm' and 'bright' were used a lot - very much what I'm aiming for with all our installations. Patients, nurses, doctors, cleaners, porters, visitors - all appreciated the improvement in the quality of their environment. It's my sincere wish that the artworks make what is an intense and sometimes frightening place to be into somewhere a little softer and more friendly.

UHSM Wythenshawe Hospital - Panoramic Triptych PhotoPanel, 4050 x 900mmUHSM Wythenshawe Hospital - Panoramic Triptych PhotoPanel, 4050 x 900mm

UHSM Wythenshawe Hospital - PhotoWall Laminated Wallpaper, 5m x 2.2mUHSM Wythenshawe Hospital - PhotoWall Laminated Wallpaper, 5m x 2.2m

Of course, that wasn't the only installation we've worked on over the last 10 months. Salford Royal, also in Manchester, have kept us busy. One our widest panoramic glass artworks went into the refurbished Irving Corridor - a mammoth 9 to1, 8.1m x 0.9m PhotoGlassWork!

Salford Royal, Irving Corridor - PhotoGlassWorks Front Lit Hexaptych 8100 x 900mmSalford Royal, Irving Corridor - PhotoGlassWorks Front Lit Hexaptych 8100 x 900mm

And Trinity Hospice in Blackpool got some interesting PhotoWall laminated wallpapers and PhotoGlassWorks as part of their refurbishment programme:

PhotoWall Laminated Wallpaper 9.5 x 2.4mPhotoWall Laminated Wallpaper 9.5 x 2.4m

I should mention the amazing new camera(s) that arrived in January. Based on a Phase One IQ260 60Mpixel medium format digital back, I'm now using a beautiful Cambo WRS 1250 technical camera and a Mamiya 645DF+ and the results are startlingly good. It's a real pleasure to be using such high quality equipment, knowing that every shot is as good as it can be - apart from when the clown behind the camera gets it wrong of course!

It's always a bit of an ordeal getting new gear. There's the hardware side, getting to know how to use it in the field but then there's also the software side - tweaking Capture One to give the best results is a process of trial and error. Every digital back and camera is different and moving from the P45+ (which I still think is very special indeed) to the IQ260 was quite a jump as the IQ260 is more neutral out of camera. More MPixels also means all the existing lenses come under scrutiny - which takes time and can be a bit disheartening. So far though, the investment has been more than worth it, so, onward!

Cambo WRS 1250 Technical Camera, Rodenstock 28 T/S lens, Phase One IQ260 Medium Format Digital Back.Cambo WRS 1250 Technical Camera, Rodenstock 28 T/S lens, Phase One IQ260 Medium Format Digital Back.User comments On Newgale Beach, Pembrokeshire with the Mamiya 645 and Phase One IQ260.On Newgale Beach, Pembrokeshire with the Mamiya 645 and Phase One IQ260.

Finally, I should mention that there are a spectacular number of new images to be processed and uploaded soon - shoots in Lancashire, Manchester, Cheshire, Pembrokeshire, Norfolk, even fruit and veg shoots in the studio. Watch this space!

 

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